Frida Kahlo was a Mexican painter. She painted using vibrant colors in a style that was influenced by indigenous cultures of Mexico and European influences including Realism, Symbolism, and Surrealism. Many of her works are self-portraits that symbolically articulate her own pain. Kahlo was married to Mexican muralist Diego Rivera.
Frida Kahlo was born on July 6, 1907 in the house of her parents, known as La Casa Azul (The Blue House), in Coyoacán. At the time, this was a small town on the outskirts of Mexico City.
On September 17, 1925, Kahlo was riding in a bus when the vehicle collided with a trolley car. She suffered serious injuries in the accident…Although she recovered from her injuries and eventually regained her ability to walk, she was plagued by relapses of extreme pain for the remainder of her life. The pain was intense and often left her confined to a hospital or bedridden for months at a time. She underwent as many as thirty-five operations as a result of the accident, mainly on her back, her right leg and her right foot.
After the accident, Kahlo turned her attention away from the study of medicine to begin a full-time painting career. The accident left her in a great deal of pain while she recovered in a full body cast; she painted to occupy her time during her temporary state of immobilization. Her self-portraits became a dominant part of her life when she was immobile for three months after her accident. Kahlo once said, “I paint myself because I am often alone and I am the subject I know best.” Her mother had a special easel made for her so she could paint in bed, and her father lent her his box of oil paints and some brushes.
Drawing on personal experiences, including her marriage, her miscarriages, and her numerous operations, Kahlo’s works often are characterized by their stark portrayals of pain. Of her 143 paintings, 55 are self-portraits which often incorporate symbolic portrayals of physical and psychological wounds. She insisted, “I never painted dreams. I painted my own reality.”
Kahlo was influenced by indigenous Mexican culture, which is apparent in her use of bright colors and dramatic symbolism. She frequently included the symbolic monkey. In Mexican mythology, monkeys are symbols of lust, but Kahlo portrayed them as tender and protective symbols. Christian and Jewish themes are often depicted in her work.
She combined elements of the classic religious Mexican tradition with surrealist renderings. Kahlo created a few drawings of “portraits,” but unlike her paintings, they were more abstract. She did one of her husband, Diego Rivera,[9] and of herself.[10] At the invitation of André Breton, she went to France in 1939 and was featured at an exhibition of her paintings in Paris. The Louvre bought one of her paintings, The Frame, which was displayed at the exhibit. This was the first work by a 20th century Mexican artist ever purchased by the internationally renowned museum.
Read more about the artist HERE.
And, if you have time, check out this trailer for a movie based on her life and work.
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